I am probably the pall-bearer for what are called "masala" movies. These are movies that contain the word superlative in each frame. Every scene is dramatic and as far as possible from reality. I like a return on my investments, especially from the movies I watch. ROI here means a hero who can defy death, a heroine who is a synonym for a damsel in distress, 5 songs ( I do not mind Himesh Reshammiya at all), an over the top comedian, a nasty looking villain and a happy ending. I do not like movies that are supposed to make you think (no offence to those who make them and those who vouch by them). They are just not me. If I wanted to think, I would never go to a movie theatre. If you see movie reviews on this blog, they are always going to be of those films that get half a star out of five in the papers and of the sort defined in this paragraph.
Aadhavan is most definitely a pot boiler with all necessary ingredients along with Vadivelu. I mention Vadivelu here because, with this movie, I actually started liking the guy. He is probably the saving grace in an otherwise boring film. Aadhavan (Suriya) is a man who kills for money. He works for his father (Sayaji Shinde) whose sole ambition in life is to settle overseas. Aadhavan is known to be a killer who never misses his target. But miss he does. Stunned by his first failure, he takes it upon himself to complete the task of killing a magistrate (Murali). The magistrate has a truckload of family members who travel with him wherever he is posted. Aadhavan enters the family as Vadivelu's to be brother-in-law and thus starts the whole game of will he or will he not kill the magistrate. Does he succeed? If he does not, why? See the film to find out.
Highs - Vadivelu and only Vadivelu
Lows - Superimposing Suriya's face on a kid, the songs, the climax and the villain
Should you watch it? See it for Vadivelu if not anything else. He is wonderful to watch before the interval. You would have atleast laughed your eyes out!